Saturday, August 11, 2007

Day Seventy-two

Joe McCray
(above: my Harlem apartment)

11:23PM Saturday night.
I just got home and found out that a friend of mine died. Joe McCray. He wasn't what you would call a close friend, but he was definitely my friend. Joe was an old man who lived upstairs from me until he apparently died three days ago. I got home to my apartment about a half hour ago and there was a note taped to the door that read, "In profound sorrow we announce the death of Joe McCray which occurred on 8.8.07. Services will be held on 8.13.07 from 11AM. Reposing at Trumbos Funeral Chapel, 100 St. Nicholas Ave". I took the note and walked up the flight of stairs to his apartment and there was a police sticker on the door and what appeared to be a small pile of trash swept out from the apartment and a rubber glove probably used by the coroner or paramedic. A disgusting and callous bit of junk to see outside his door.
I've known Joe as long as I've lived here in my building, which is almost 8 years, and with his passing, that makes me the oldest tenant in the building. I've always felt a kinship with Joe regarding the length of time we've both been in the building as many new faces have moved in slowly but surely and the neighborhood has changed with new buildings and tenants arriving. Our building was built in 1905, I don't know how long Joe has lived there but he's lived there for quite a while. My friend, Justin who used to live upstairs introduced me to Joe when I first moved in. Justin had lived in the building for 8 years and before he moved about two years ago, had known Joe and always checked on him and did little things for him now and then. I was sad when Justin moved out, we remain close friends, and when he did, I made sure to check in on Joe more often In Justin's absence.
I called Jonathan to tell him the news once I read the note on the door. We chatted a bit about how sad this was, and Jonathan noted that Joe probably died alone. I haven't seen Joe, nor have I been up to see him in a few months, and although Jonathan was just stating a fact, that Joe indeed, probably did die alone, thinking about this makes me incredibly sad. I feel horrible that I haven't seen him or stopped by in a few months. I thought about him here and there this past week since it was so hot here in New York and I know Joe had no air conditioning. He knew where my apartment was and I always made sure to tell him to come down if he needed anything at all. Joe's death has made me very sad, and not because I feel guilty for not stopping by lately, Joe would have died anyway, but if I had seen him in the past couple days, he at least wouldn't have died completely alone. Sure he would have been by himself in his apartment, but at least he would have seen me, a friendly face, someone who knew him, in one of his final days. He had a son that would stop by from time to time but it was infrequent, from what I could tell. I don't know that Joe really had any visitors.
I think his death as also touched me because Joe really was a sweet man. I didn't see him every week, and sometimes a month or so would go by before I either knocked on his door or spoke with him in the hallway. We weren't close, but I cared about Joe and he liked me. A few summers ago there was a black-out in New York that lasted a few days. At the time, I was working on 5th Avenue and walked home that day, like everyone else. When I got home I managed to get in the building but I didn't' have my keys because they were left in my office which was on the 24th floor and since the power was out, we weren't allowed back into the building. When I got home, I somehow managed to get into the building and into my apartment. I went to check on Joe who answered his door with a candle as the hallway was pitch black without windows and it was already dark outside. I made sure he had water and chatted with him for a bit and told him to come down to my place if he needed anything. As I was leaving his door to walk down the flight of stairs to my apartment Joe said to me and smiled, "You helped me out, now I'm going to help you out" he took a small flashlight from his pocket and shined it on the stairs for me so I could see walking down to my apartment. It was the crappiest flashlight - I think it may have even been one of those small, pen-lights, and it illuminated about two feet in front of him, not nearly enough light to really help me out, but it was enough light to see him smiling at me with this look of gratification - happy that he was able to be useful, to 'return the favor' and assist me in getting safely to my apartment. It was very sweet. Before I left him in the dark hallway, I distinctly remember him holding my hand longer than he normally did when we shook hands. He wanted to let me know that he was so happy that I had stopped by to see him in the pitch darkness.
I remember another time I stopped by his apartment with some lemonade that I had made for him. We sat in his living room and he told me the story of how he moved up to New York from the South, maybe Georgia, I can't remember. As he was talking I looked around and noticed that he had one television that was on and working and he had about four other televisions, large ones, that were off and apparently broken. I asked him if I could take them down to the trash for him and he said no, he liked having them as 'furniture'. I think I remember Justin at one point asking him the same question - if he could throw them out for him, make some room in his tiny apartment - and he said thanks but no thanks. Seeing Joe in the hallway was always nice. He walked slow, but without a cane. He dressed well too, clothes that were ironed and made sense together, casual yet dapper, as if he were a 30 year old young man going to work. I don't know how old Joe was, somewhere in his late 80's (?) but he was also an attractive man. He really was. He was always smiling too, not the standard, old-man kind of smile, Joe's smile was genuine and constant and he smiled with purpose, like he was concentrating on you and was glad to see you.
Today I was planning on writing more about something I mentioned in Thursday's writing about a gravestone that we saw while we were camping last week way up on a remote island in Michigan. The graveyard was old and in the middle of a field on South Manitou Island which is an hour and half by ferry into Lake Michigan. The small village on this island was there primarily for lumber/logging and all of the people left the island around the 1930's when the lumber was no longer needed for steam on ships. Remote camping is allowed, cars are not, and there were about 15 people on the entire island while we were there, including the one park ranger.I've been thinking about this gravestone a lot. The gravestone was a simple white cross made of stone that had crudely carved words scratched on it's surface, "human skeleton found on dunes, 1933". The lack of information on this grave has made me think of several things like; who found the skeleton and who carved the words on the gravestone? There's something about the brevity and lack of poetry in those five words they chose to carve, "Human skeleton found on dunes.....". I wonder if that body, (which wasn't even a body when it was found, it was just a skeleton) was someone that fell off a passing ship and washed ashore, or if this skeleton at one time belonged to a body that floated from the mainland of Michigan, or further away across the great lake from Illinois or Wisconsin. The idea that a human skeleton can be found on a beach and it's identity remaining unknown even in burial, seems like an outlandish notion in today's over-examined world of DNA, detectives, cameras, news, etc. etc.
If a body washed up on any shore right now, countless hours would be spent finding out who it was and how they died, followed by countless hours prosecuting someone and finding fault or cause of death. But back in the 30's on this remote island, a simple layer of events took place; a skeleton was found, picked up and buried. To this day, it's just another death, a skeleton - as insignificant and mundane as finding the skeleton of a dead raccoon or possum on the side of the road - the only difference is whoever found this skeleton, made a modest marker, buried it, and gave it a modest semblance of an identity by scratching words into a rock for a gravestone. It's odd that the person who carved the gravestone used the word, 'skeleton'. I think today the more modern phrase, 'human remains' would have been used. I like the frankness of skeleton. When I was little, I remember every time we happened to drive by the graveyard that my grandfather was buried in, I would ask my mother, "Mom, do you think Pappa is bones yet?"....my mother would always so, "I don't know"....it's such a ghoulish question to ask your mom if her father's dead body has decayed to 'bones yet', but as a kid, somehow I wanted to know this. I have no idea why, but thinking of it now, I really do wonder if he is bones yet, I wonder how long it takes. To me it seems gruesome to embalm a body to preserve it for 'a little longer'...it seems as though once your gone, it's better to be completely gone.

Coming home tonight and learning about Joe's death and seeing this generic card on the door from a funeral parlor and thinking a lot about this unknown skeleton from 1933 - there is very little difference between the two. Most people die alone and without much fanfare, but they always get a marker, of some sort, unless you die in a tsunami or something like that and you are part of a mass grave (now that's depressing).
I'm going to go to Joe's funeral on Tuesday. I won't know anyone there. I'm not really up for it and it's such an abstract idea, to go to a funeral, Joe won't know that I'm there, he's dead, so what's the point? But somehow it seems important to show up.
Andy Warhol said that he wanted one word on his gravestone, "figment". Whoever purchased his headstone (probably his brother) didn't follow through with the one word, instead there is a rather generic headstone like the rest of the graves that surround his in the graveyard in Pittsburgh. Warhol is dead, he's probably even a skeleton by now, but he sure is alive through his works. I wish I could think of a way to have poor Joe remembered, I guess showing up at a funeral will have to do. This writing is a real downer, but oh well, death sucks, it's lame....even if it is the death of a random, old neighbor.

Thursday, August 9, 2007

Day Seventy

It's 11:54PM so I'm getting the writing done before the end of the day, technically. I just got home from a very long day at my studio, working. I was making some serious headway on a painting and I had to leave because I was getting tired and I didn't want to ruin the work that I managed to get done this evening and afternoon. I got home in a record 27 minutes, door to door, because both of my subway trains came into the stations exactly as I got to them. So, 27 minutes is the fastest I can make it to or from work.
I got home and had some cereal. The perfect (and delicious) lazy food when you're tired. I'm watching Nightline right now on ABC. It's just not the same show ever since Ted Koppel left. It's now just another, crappy news magazine instead of actual REAL news with good interviews. Nightline is such a piece of crap now. It's a bummer. The only real news that is still on television is the nightly news hour on PBS....everything else is such junk.
A friend of mine gave me a 5 cd box set of this years, "Shark Week" on the Discovery channel. I don't have cable so I haven't seen any of these and I love watching anything about sharks, like most people. I can't open it now and start watching it because I'll stay up all night and watch every one of the cd's, I know I will. So I'll just hang on to it and wait until I can watch them this weekend.
I haven't found the time to write about the camping trip we went on this past week. Basically we drove from Chicago to upper Michigan and went camping on South Manitou Island, which is a small island in Lake Michigan. You take a ferry there that takes an hour and a half. It's tent camping where you have to bring everything that you need, there are no cars, no stores, nothing. The island has a small village with abandoned buildings, an old, one room schoolhouse that was last used in 1922 and a lighthouse. There are remnants of a few shipwrecks and large, tall and vast sand dunes on half of the island. There is a cemetery towards the middle of the island between old farming fields. It's a small graveyard that features a small white cross with just these words, "Human skeleton found on dunes, 1933". I'll paste a few photos below from the trip. I wonder who is buried in that grave. Just another anonymous person, just another death.
Last night there was some sort of 'award show' on TV called, "The Diamond Award", something I've never heard of before, and this award was presented to Michael Jackson. It featured singers and dancers making an hour long tribute to Jackson and in particular his "Thriller" record for still being the highest selling record of all time. At the end of the show, the president of "The Guinness Book of World Records" gave him an award for, "being the most famous person in the world".....can you imagine? It's the funniest and silliest notion ever. I'm not saying I don't agree though, I can't think of anyone else who could be labeled, 'the most famous person on the planet'....I really can't. I miss Michael Jackson. I wonder if he'll make any more music. I miss Liza Minelli too, and the "Roseanne" show, and Steve Perry from Journey, and Boy George and Adam Ant and Pee Wee Herman, Faye Dunaway, Shelley Winters, Phil Harman, Ted Knight, Eric Estrada, Robby Benson, The Gorgeous Ladies of Wrestling, Match Game and Howard Stern (who's buying sattelite radio?). I guess just because some artists are still alive, it doesn't mean they have to keep making work...but you wonder why they don't.
Speaking of Pee Wee, Paul Reubens was just on Jimmy Kimmel and he was so funny. I think he should be in more movies. Pee Wee was a great character, but he's also funny just as himself. He had a great sense of humor. Anyway, I'm rambling and distracted by late night TV and I'm tired and not able to write anything cohesive. Oh but before I go, I received a nice comment on yesterday's blog from someone I don't know named, Mel. Thanks Mel.

Wednesday, August 8, 2007

Day Sixty-nine

Don't place your body on another person unless you intend love
August 8th, 2007
I've been away with Jonathan on a camping trip in Michigan and to visit to see a friend in Chicago. Internet was scarce, but I'm back. Below is an entry I wrote on the train on July 28th, but was unable to post it without an internet connection.
It's 1:28PM in the afternoon here in Manhattan. It's been one of those days in Manhattan, the kind we seem to have more and more of, the kind where a disaster, even a small disaster, disrupts everything and EVERYONE who lives here or nearby in the surrounding boroughs or New Jersey. Today's issue was a rainstorm that flooded the subways making nearly ALL lines inoperable. I had a dentist appointment that I missed and I walked downtown from 116th street to 14th street, with everyone else. It was like September 11th but in reverse; everyone was walking downtown today, instead of escaping the burning twin towers and walking up town. It really was a site to see, SO many people walking in one direction. The heat and humidity today is a huge factor as well as everyone is soaked in sweat and slightly delirious. I don't know if it's because I've lived in Manhattan for many years making it seems like small disasters are frequent, or if they actually ARE more frequent. Others that come to mind: the black out a couple summers ago that went on for a few days (that was a doozy), the subway strike in the dead of winter last year, the pipeline explosion two weeks ago at rush hour in front of Grand Central, and then of course September 11th 2001. I guess it's just par for the course. It's a busy city, things happen. I do know that the Subway seems to fail more often now even if it just RAINS....which I don't remember happening with the frequency it happens now. Today has been really nutty, especially since it's so hot and so many of the subway lines have been out. I'm sitting in a bookstore at Union Square right now and I see that most of the Subways are still down. I rescheduled my dental appointment for 3:00. Luckily I can sit in this Barnes and Noble that is just around the corner from my appointment and it's air conditioned.
That's it for now. Just wanted to write so that the blog doesn't completely evaporate and disappear. I will write more tomorrow....but for now, here's a new entry that's dated that I was unable to post while I was away:

July 28th, 7:42AM
On Amtrak train with Jonathan from New York City to Chicago. It's supposed to be an 18 hour train ride but I think it's going to be more like a 20 or more ride. We shall see. We left at 4:00PM yesterday from Manhattan and It's now Saturday morning, several hours ride still to go. It was about $300 for both of us, one way, on the train. We don't have to deal with gas and driving, even though in the end it may cost about the same to rent a car for the week.
I don't have a map and can't get online while we are moving so I had no idea where we were until we just stopped at a station and it was called Elmyra, Ohio. So, I still don't know where we are because I don't know where Elmyra is, but I do know that we are in Ohio, which always reminds me of Chissie Hines from the Pretenders, that and election fraud. I just saw a water tower in a cornfield that read Erie County. So, that's also where we are, wherever that is. The sun is burning off the morning wetness and darkness. Steam is rising from cornfields, wet pavement and vast stretches of green. It's funny how it never gets boring looking out the window on a fast moving train. Even though we're in the middle of nowhere, we're always somewhere and there's always something to see, wether it's a small town or the lay of the land. There isn't much new housing, most of the houses we're passing this morning are old farm homes, beautiful, isolated. One wonders what it would be like to live in a beautiful field in a historic yet dormant town, with strange neighbors that probably own guns and have a son that is dealing in crystal meth. I guess it could be really nice for a short time, but I think boredom would set in, or loneliness (?), it's hard to say. I know that when I was in St. Barth for a month this summer, I got a lot done and enjoyed the seclusion, but it may be impossible to compare living on an island, literally, vrs living on an island, metaphorically - in the middle of Ohio or Indiana or some other vast stretch of land. The idea of having a PORCH and a yard where wildflowers can grow, maybe a peach tree and some blueberry bushes to harvest, throw in a chestnut tree and a huge house with an old staircase and glass doorknobs and an area for a big studio to work in sounds fantastic, but maybe only for 3 or 4 months out of the year, the other months could be spent back in the city.
We just passed an odd lake with really old little 'cabins' dotting the edge of the bank. Next to the cabins were rusted and bombed out trailer homes, old ones, painted the limes, pinks and baby blues of the 1950's. Stuck in time and watching time go by while weeds and vines cover them, summer after summer.
The seats on the train are big enough to stretch out, and there is an outlet for the computer, but sleeping was horrible. Lot's of tossing and turning and temperature changes and air flow issues. At least Jonathan and I got to sit next to each other and it's actually been a pretty good ride so far, minus the sleeping problems. On the way back we may try to get a 'sleeper car'. Last night we watched a couple movies on the computer, we each had our own headphones and it was a nice time. On a whim, I picked up a copy of "Beetlejuice" for ten dollars at the drug store just before we got on the train. We also watched, "Gimme Shelter" the Maysles brother's documentary on the Rolling Stones' free concert in San Francisco in 1969, where the Hell's Angels were in charge of security and kept on beating the shit out of the audience as they got drunker and drunker. Jefferson Airplane came on before the Stones and one of the Hell's Angel's smashed one of the band members in the face. Grace Slick the lead singer in the band was wearing a purple/blue, velour pant-suit with a matching scarf. She tried to keep singing while the pushing and fighting in the crowd kept going on. At one point the fighting was so bad she said something like, "people, people, people, stop the violence! Don't place your body on another person unless you intend love". You gotta love that. Once the Rolling Stones finally came on stage, they managed to sing a few songs but left shortly there after, whisked away in a helicopter from the crowd of thousands of fans that were high, often nude, and out of control. It's a great movie. Watching Mick Jagger at any point in the film, on or off the stage, is mesmerizing. He oozes talent. The kind of talent that just IS, the kind of talent that even he had a hard time controlling. It's ironic because there is no way the Stones could have been so talented, productive and exciting without drugs....speed, pot, alcohol, LSD. There's just no way one could face crowds like that, night after night, AND create great music without the aid of substances. Of course those substances were not always helpful, but for the most part, you wonder what the 60's, the music, the drive, the everything, would have been like without the drugs backing it up and tearing it down. Even the tearing down was art and was interesting, even when it brought death. Anyway, god bless the Rolling Stones, such an inspiration.

We're supposed to meet our friend Nancy at the train station in Chicago but I'm sure our train will be late. We're going to spend the day in Chicago and then the three of us are driving to upper Michigan to go camping on some island in Lake Michigan for a few days. A deserted island where a ferry drops you off and comes back only once a day to pick you up, no cars. Apparently it was an inhabited island at one point, complete with abandoned homes and graveyards. I don't know the history, but I'm looking forward to exploring and taking pictures, AND looking forward to a lot of swimming!
We're in Toledo Ohio now, I wish I knew how far that is from Chicago. Jonathan is still sleeping. The sun is for sure up and out now. I'm going to enjoy the view, and fantasize owning an old farm house, with antique, glass doorknobs and watermelons growing just off the porch. I can't tell if this fantasy is depressing or exciting. I wonder what's up in Toledo Ohio these days? I'm not getting off the train, so I'll never know.

Thursday, July 26, 2007

Day Fifty-six

Here we are now, entertain us

Smells Like Teen Spirit
Nirvanna, 1991

With the lights out its less dangerous
Here we are now
Entertain us
I feel stupid and contagious
Here we are now
Entertain us
A mulatto
An albino
A mosquito
My libido
Yea

Im worse at what I do best
And for this gift I feel blessed
Our little group has always been
And always will until the end

Hello (x 16)

With the lights out its less dangerous
Here we are now
Entertain us
I feel stupid and contagious
Here we are now
Entertain us
A mulatto
An albino
A mosquito
My libido
Yea

And I forget
Just what it takes
And yet I guess it makes me smile
I found it hard
Its hard to find
Oh well, whatever, nevermind

Hello (x 16)

With the lights out its less dangerous
Here we are now
Entertain us
I feel stupid and contagious
Here we are now
Entertain us
A mulatto
An albino
A mosquito
My libido
Yea

Wednesday, July 25, 2007

Day Fifty-five

Uncanny
Peculiarly unsettling, as if of supernatural origin or nature; eerie.
Lady Macbeth Sleepwalking by Johann Heinrich Füssli, courtesy of the Louvre, Paris
8:18AM
Fell asleep last night sitting on couch with computer on lap and watching a DVD on the television. I was trying to watch Querelle (Fassbinder) and also reading some things online even though I was already dead tired. I swear that the night before last I fell asleep in the same spot, on my couch while working. I was cutting out shapes of paper, and my eyes eventually glazed over and I think I was sleeping but actually still working. Eventually my head would nod forward and I'd wake up but I know that my hands were still working even though my brain had shut off. Once I realized what was happening, I tried to keep it going to see if I could actually continue to be productive while I was sleeping. It reminded me of those stories where people sleepwalk and do insane things while they are asleep. I saw a documentary on this once where they featured cases such as this guy who drove across town and killed someone while asleep and another story where a guy raped this girl who was a friend of his while she was staying over his house one night. In both cases the sleepwalker was acquitted because they were able to prove that there is this medical condition where some people are able to function, or at least their body is able to function, but their brain is asleep....even rape or murder. The sleepwalker wakes up and has no memory of the crime they've committed. I saw this documentary on YouTube, it was a British documentary and it was incredible. I'm going to try to find it and paste it below today's writing. These cases were in the UK where they must be more lenient or open to abstract thinking, because if you tried the "sleepwalking defense" in the US I'm quite sure it wouldn't fly and you'd be sent straight to prison, where we send everyone. I was watching a documentary last night on PBS about the privitization of jails in the United States. Small towns with poor economies welcome a new jail, all the locals end up working there and become dependent on the new jail. More jails create 'better' economies for these small, lifeless towns, and more jails need to be filled with 'criminals'. They featured this guy who was down and out, had a wife and two small children, was traveling in California and stole $30 worth of groceries for his family and was busted. He went to jail for 16 months with no pryor criminal record. Jails need to be filled. It's horribly depressing. This country is getting scarrier and scarrier because it's more and more frightened of the boogey man, frightened of it's own shadow. As I get older the notion of leaving and moving to another country becomes more and more appealing, but I would never do it (never say never).
This was an unfortunate tangent that I'd like to write more about some other time, but back to sleepwalking and such....
What I was reading last night while I fell asleep at the computer was a book written by the artist Mike Kelley, called, The Uncanny. It's a great book he wrote about a show he put together several years ago that has to do with sculptures of bodies, mostly human. The show traveled and consisted of his own work and other artists as well as found imagery and objects he collected, things such as mannequins, wax museum imagery, dummies, bodies, limbs etc etc...things that represented the human body. The writing in the book is just as good as the art in the show. It's impressive how good a writer Mike Kelley is. A great artist and an even better writer. In one of the essays at the beginning of the book he mentioned an artist by the name of, John Duncan who in 1980 did a project where he had sex with a corpse and presented it as an audio piece titled, "Blind Date". I don't want to spend my morning dissecting (no pun intended) this project but it ties into the sleepwalking I mentioned above, and an article I just read this morning in the NYTimes about The Muppets (trust me, it does).
The article is titled, "Retired Muppets Will Move to Atlanta" and it features a staged photo (isn't any photo of a Muppet staged?) of Kermit the Frog and Miss Piggy. The article is talking about Jim Henson's widow finding a suitable home for Henson's archive of his sketches and notes including puppets, some very old and fragile. About halfway down there is this paragraph:

Built from foam and fabric, each puppet character had multiple copies because of performance wear and tear. The gift covered puppets that could no longer be used to perform; in fact, the Kermit in question was a “photo Kermit” — used for photographs but with no opening for a puppeteer’s hand.

I don't find The Muppets particularly interesting. As a kid I did. I remember watching The Muppet Show every evening, even though I think I was technically a little older than their target demographic. I watched it because I thought it was funny, but I also watched it because I found it incredibly unsettling. The thin veneer of 'puppet' never worked for me and I always imagined what could possibly be going on just off the set, or under the set where the puppeteers were and how they created this mirage of bodies interacting. The puppets always seemed DEAD to me - mostly because they didn't' blink but also the way they stared at each other, these lifeless things with eyes, were always unsettling. And then there was the interaction between the puppets and the human guest on the show; Elton John, Lou Rowles, John Denver - what was it like for them to have to make eye contact and to 'act' with these tiny bodies that had character and personality, but in the end were not real. Course the fact that these puppets actually did have personality and character and feelings was testament to the writing of the show and the artistry behind the puppets - to be able to create empathy between a puppet and a human I imagine is no small feat, but the artists and puppeteers involved certainly were good at this. When the taping of an episode of the show was over, I imagined the lights being shut off and the doors being locked and a big closet with all these dead puppets, staring, lifeless. This kind of imagery or unsettling feeling is kind of what Mike Kelley was writing about in "The Uncanny". Even if you're not an artist, you will find the catalogue for this show interesting. I believe it is out of print but you can find used copies of it on Amazon or Ebay.
So, back to my point from the NYTimes article. This idea of a 'photo kermit' is what interests me. It makes sense that they would have a version of Kermit that has no hole for the puppeteer's hand - that is used only for photo shoots such as the one featured in the NYTimes article and pasted here, but let's just say it's ODD (or, uncanny).
Forget that it's Kermit the Frog, a popular figure in American Culture, but just think, a facsimile is created and used just for photography....a facsimile or doppelganger of a personality with a body is produced and set in front of a camera, a lifeless figure. The picture is taken, the photo is printed and published and what you see is a person (a felt frog) that you know a little something about, but in actuality, it's a dead facsimile. I can't think of another example of this extreme suspension of disbelief....where a caracter that is dead to begin with (a puppet) has a copy made of it (death number two) and there is no difference between the two. I'm thinking that maybe something similar happens when you go to a funeral and there is an open casket and you see the embalmed body, with make up and hair fixed by the undertaker to create a rendition of the person that was living and breathing a few days earlier. That's not exactly the same thing. Oh, I though of another example, I think I read somewhere that in Egyptian tombs they would create alternate, fake, mummies and bury them in different chambers to throw off would-be robbers from stealing the real mummies that were buried with gold and jewels. There must be other analogies but I'm going to move on, if you're reading this and can think of any other examples, email me if you have a moment (carter@carteroffice.com). Oh wait, what am I saying, I forgot that I do this in some of my own work. The sculptures:....a body is created, a portrait, a stand-in, a double. I guess photographs do the same thing. Think of photos of dead loved ones that are kept in wallets or hung in the family den, or sometimes actually printed on gravestones.

Writing about embalming reminds me of yesterday's writing when I mentioned Tammy Faye Baker. In her interview with Larry King she said she was going to be cremated because she, "didn't want bugs crawling on her"...and she was serious. This coming from a woman who's Christian beliefs require her not to be cremated so that when Jesus' second coming takes place, all the dead Christians will rise up from the dead. So if Tammy Faye is cremated, what will happen to her when Jesus comes back? Funny how her fear of, "bugs crawling on her" trumps her die hard Christianity.
I'd like spend the whole day tying together the sleepwalking, the sex with a corpse, the dead puppets, the uncanny and the suspension of disbelief....but maybe another day. It's 10:31AM and I have to get to my studio before the entire day is gone

To read the original NYTimes article, click here.
Here's a good link to Mike Kelley on PBS.

Tuesday, July 24, 2007

Day Fifty-four

InspiringWoke early this morning and walked to work through Central Park. There is a piece of the park, far north, that has some great paths through some actual woods. Most of the park is so manicured it's boring, unlike a couple other parks in the city that have less money taking care of them but are more beautiful because weeds are allowed to grow and if a branch falls from a storm there aren't an army of people waiting in the wings to clean it up in a New York Minute, like Morningside Park which is close to wear I live. This park is (I think) the second largest park in Manhattan and is more interesting than Central Park because it has less money watching over it. The part of Central Park I like to walk through is nice because it really does feel like woods, even though it's not that big of an area. I got there early enough that the grass was still wet from the night before. It's not far from a fortress that is still there from the war of 1812.

Got to my studio and got some stuff done. A couple paintings are giving me trouble, but maybe tomorrow they will look better, who knows. I have some sculpture that I need to start because they take a long time to make and need lots of time to dry. I'm afraid to sketch them out because in my head, they look fantastic. I never sketch anything out anyway, I just make. I'm looking forward to starting them.

I should write something about the death of Tammy Faye Messner (Baker). I'm sure you saw the interview with her on Larry King, if not, I'll paste it in here. She looks scary, but got bless - still wearing the insane make-up, her signature, costumed face. It's inspiring how positive she is (was) even though she was dying. It's incredibly sad. She always loved the gays, even though she was a big Christian...and for that she will always be something special.

I've got work to do in the studio. It's a mess in here, so I'm going to post a photo of some berries I took this morning in the park and sign off. God Bless that Tammy Faye.

Day Fifty-four



Woke early this morning and walked to work through Central Park. There is a piece of the park, far north, that has some great paths through some actual woods. Most of the park is so manicured it's boring, unlike a couple other parks in the city that have less money taking care of them but are more beautiful because weeds are allowed to grow and if a branch falls from a storm there aren't an army of people waiting in the wings to clean it up in a New York Minute, like Morningside Park which is close to wear I live. This park is (I think) the second largest park in Manhattan and is more interesting than Central Park because it has less money watching over it. This part of Central Park I like to walk through is nice because it really does feel like woods, even though it's not that big of an area. I got there early enough that the grass was still wet from the night before. It's not far from a fortress that is still there from the war of 1812.

Got to my studio and got some stuff done. A couple paintings are giving me trouble, but maybe tomorrow they will look better, who knows. I have some sculpture that I need to start because they take a long time to make and need lots of time to dry. I'm afraid to sketch them out because in my head, they look fantastic. I never sketch anything out anyway, I just make. I'm looking forward to starting them.

I should write something about the death of Tammy Faye Messner (Baker). I'm sure you saw the interview with her on Larry King, if not, I'll paste it in here. She looks scary, but got bless - still wearing the insane make-up, her signature, costumed face. It's inspiring how positive she is (was) even though she was dying. It's incredibly sad. She always loved the gays, even though she was a big Christian...and for that she will always be something special.

I've got work to do in the studio. It's a mess in here, so I'm going to post some of the pictures I took this morning in the park and sign off. God Bless that Tammy Faye.

Monday, July 23, 2007

Day Fifty-three

Guest writer #3, Drake Hawthorne, writing from Germany.

Hi. Carter has given me the honor of being guest writer number three, and now, as i sit in front of the computer, i second guess my approach to my participation in this project. you see, i have been living in southern germany for the last year—stuttgart to be exact, about two hours west of munich—and i figured i could expound upon being a resident in a foreign country, perhaps relating odd and random cultural perks, strange things people do, stereotypes and so on and so on. but the truth of the matter is that nothing, at least here in europe, germany, stuttgart, has truly suprised me. i mean sure, there are times more often than not that i say under my breath germany this and germans that, strange, annoying….. but isn’t it like this everywhere?

stuttgart is a nice place. relatively quiet with a pedestrianized center that is really nothing more than a mile long outdoor mall. as a friend described it to me before i came, stuttgart’s culture is an imported one. this is an apt description, especially in regards to the throngs of teenagers who swarm the main station, drinking big bottles of beer and cheap bottles of fruity prosecco (otherwise know as vino frizzante—carbonated wine) in public. friday and saturday nights can be scary, and the place—the floor of the main train station—is a wreck. broken bottles, cigarette butts, drunken masses of kids chain smoking in a flourescent smoke-filled train station. go figure. the 80’s have never been represented so well, or so inappropiately. i mean these kids are dressed to the hilt, head to toe ala new romantic (think the romantics, duran duran,miami vice and big hair mixed with pat benetar and lots of white slip-ons, white blazers and punk stripes) (i call it culture off the shelf--thank you H+M). everybody looks as though they are in a band, ready for a photo shoot, but they are actually waiting for the last train of the night (12:30am). i avoid the station at this hour.

but stuttgart is also very suburban with so much green space. i read somewhere that it is the greenest city in europe—something like 40% of the city’s footprint is either park, forest or field.

but i didn’t want to write about stuttgart, as this would take many days to be fair. i had a one year contract here, and it is ending in about two weeks, so i am on my way out. find out more about stuttgart on wikipedia if you’re interested.

rather, i would like to shift the attention to my recent trip to greece. my girlfriend nicole, whom i met in new haven ct, comes from athens, and her parents live there now. (she returns to athens every summer for a month or so.) well, after 3.5 years together, the time had come for me to meet her parents. (everybody, and i mean everybody—germans included—ask me once i tell them where i am going and whom i am meeting, ‘…have you seen My Big Fat Greek Wedding?’ no. i have not seen the movie, but i think i have a pretty good idea of what it is about.)

anyhow, after spending two days in athens meeting the parents, who are most generous and kind, climbing the acropolis and wandering the dense and chaotic streets of this amazing place, nicole and i took a 9 hour ferry ride to the island of crete. we stayed on the south side of the island near a town called ierapetra. it was beautiful, hot and windy. the sea was so warm and of shades turquoise green and light blue that dissolved into a deep cool blue, yet so clear. i couldn’t help but think of carter’s time in st. barth with the amazing beaches and water. but crete is no tropical paradise. it is a dry, desert-like climate punctuated with relatively sparse outcroppings of trees. as you drive away from the coast into the mountains, you enter fertile areas that seem to be planted only with olive trees. (while on top of the acropolis, we overheard a tour guide tell her listeners that there are over 8 billion olive trees in greece. there are 6.7 billion people on the planet.)

it’s strange to be in europe, to go somewhere like athens or to an ancient island in the mediterranean. i have this need or longing to sense the age and history in such places, as though i would feel the actuality of past times by simply being at a certain location, amongst the detritus and artifact. unfortunately this never works out. the patina of time is just that—a layering of the now, the new upon the entropy of the past. ruins give a sense of grandeur, of humanity’s assertiveness, but ultimately their true nature is outside my experience of them. of course i still appreciate these places, but i am left with a sense of longing, as if i there is a hidden answer i will never find.

so instead we go to the beach.

the beaches on crete are not of sand, but rather small colorful rocks that look nice when they are wet, and drab when they are dry. they are also scorching hot. we spend entire days under our colorful umbrella collecting and organizing various rock collections and reading, and many hours are spent with mask and snorkel in search of lost gold coins at the bottom of the ocean.

For some reason, and i do not know why, i have a habit of taking two books—the book i am currently reading (which is now yukio mishima’s sea of fertility tetralogy written between 1964-1970) and some random trashy novel, this time borrowed without permission. and inevitably i will start and finish the trashy novel and not read a single page of the great book i am involved in. this was indeed the case on crete. the book this time was the da vinci code written by dan brown. heralded by the new york times as ‘…pure blockbuster material…’ this tome is no foucalt’s pendulum treatise and play on the tale of the knights templar and the holy grail, but it is chock-filled with the facts and symbology surrounding the supposed grand christian deception that christ was immortal, that he was indeed actually married and soon to have child. real cult-like stuff. even the pentagram takes on a friendly tone. da vinci himself was a keeper of the secret, and his paintings the last supper and the mona lisa …. blah blah blah. i guess i just gave away the book, but really, what is there to give away and who doesn’t know it already? nicole (who is now stuck with the book against her will) thinks the genius of it, of the author lies in the presentation of the erudite research in such a way as to make a shitload of money. you’ll have to decide wether you will invest in it in order to make your own judgement, if you haven’t already read it. although i was annoyed the entire time i was reading it, i couldn’t put it down. history, religion and conspiracy theories can be quite profitable i guess.

But enough about this. crete is an amazing place. there are these concrete structures everywhere, ready to be filled in, waiting for something to happen, like some kind of reverse ruins. many were complete and occupied on the ground floor, while the second floor remains in this state of reverse ruin. we assume the owners will be able to afford the completion at a later date, but theses things are everywhere. someone told me about a tax break in the canary islands for people who are living in buildings that are still under construction. hmmmm.

After 7 days in crete, it is hard to remember what exactly we did there. we truly lost sense of time.

Back in stuttgart, i sit at my desk in front of this computer, less than two weeks away from my departure date. it’s difficult to take anything seriously here. there is so much to do and plan as we make our move to san francisco. but first we must stop over in nyc, collect our stored possessions—our own artifacts and detritus—and tie up loose ends. i am looking forward to seeing carter and other friends while there.

After a year in stuttgart i am still an outsider here. my grasp of the language seems to have diminished in the last 6 weeks, and i find myself no longer going out of my way to meet people, or having the patience to carry on conversations. time is winding down and it is difficult to imagine any sense of closure other than getting off the plane at jfk.

Wednesday, July 18, 2007

Day Forty-eight

Comfort in repetition

The sun setting down 13th street, over the Hudson River,
over New Jersey and into California.

It rained here this morning. Got on the subway and there was mass confusion because the trains were either delayed or not running because of 'signal problems'. Every time it rains in New York, the subways suffer. It's amazing. RAIN stops the trains, never mind terrorism. Rain effecting the subway system is new as of the past few years, because years ago I don't remember there being this problem, every time it rains. I got as far as Lexington Ave on the E train and the train was about to go under the East River to the next stop, which is the stop I get off for my studio, and the conductor said that Lexington was the last stop. I have to be at a meeting on 14th street at 11:30, so rather than risking getting stuck in Long Island City and miss my meeting, I decided to come all the way back home for an hour, change my wet clothes, go down to 14th street and then over to my studio on the 7 train. Hopefully I'll have better luck with the 7.
I'm glad it's raining. The heat has lifted so that makes things easier, and I enjoy working in my studio when it's raining out. I get more done. The sun is a distraction. We have some intermittent thunder rolling through the area right now. It's nice. The sky is dark and flat, almost like the light that is present during an eclipse. Whenever I think of eclipse's I think of the movie with Cathy Bates, "Dolores Claiborne" because an eclipse is featured prominently in that movie. It's one of my favorite films, and in my opinion, widely overlooked. Cathy Bates is stunning in this movie, the story is great, the filming is great, and the location is Maine. I believe it's a nice, solid, two-hour movie too, none of this one and a half hour crap that most movies tend to be these days due to marketing issues. Dolores Claiborne is one of the few movies I've seen multiple times. I place it in the DVD player from time to time just to have it on in the background. Some movies are just comforting to have on in the background; you know the scenes, the lines, the storyline, and the characters become a part of your life, even if they are just replaying the same situations over and over again each time you play the movie. Comfort in repetition. I have a couple other films like that, that I like to play now and then. "Grey Gardens" is one and so is "Jaws". I've probably seen Jaws more times than any other film I can think of, by far. I remember seeing it in the theater when I was a kid. At the Lord Theater in my hometown....or was it the Palace Theater? There were two, small, old theaters in my tiny New England town, before multiplexes and malls took over. It had a large, stained glass window in the lobby. It may even have been a Tiffany glass. I remember seeing the poster for Jaws and I begged my mom to take me. The poster as I remember it, was nothing like the iconic poster that the movie is known for now - of the woman swimming at the surface of the water and the shark rocketing up from the depths to attack. The poster I remember was much more gorey and cartoon-like (which of course made it all the more mysterious and frightening). I remember reading somewhere that at the time of the filming of Jaws, the physiognomy of a Great White shark was still somewhat unknown, for instance, they didn't know that the jaws of a shark are movable and able to 'pop out' of the mouth of the shark so that it can make a wider bite, tear, and chew it's prey. So the original drawings of the shark for the poster is an odd looking creature. Kind of like the drawings of fanciful sea animals from antique manuscripts, with tails and scales, like dragons. I collect copies of Jaws, the book, because until they committed to the final illustration as we know it now, the drawing of the shark and the design of the book went through several changes. One of the original drawings is just a thing with a mouth, it's amazing. (see illustration to the right). I could spend an afternoon just writing about the image on this book cover.
Anyway, Jaws is one of those movies, although horrifying, brings me comfort when watching it because I've seen it so many times over the past 30 years. Plus, I like the setting of summer, along the beach. It reminds me of my childhood growing up on the edge of where the Long Island Sound meets the Atlantic....not too far from where the fictional story of Jaws took place. That's also why I like Grey Gardens...it's the same time frame, 1975, New England/east coast. I'll have to write about Grey Gardens another time because I'll have to devote an entire couple days to that, seeing as though it's my favorite movie.
I'm going to Connecticut tomorrow to see my brother and his family. Theresa, my sister in-law has had her third baby a month or so ago and I haven't seen her yet. I'll stay a couple nights and then come back. I have quite a few nieces and nephews now, and they are always eager to go on walks with me, run around the house and get into mischief. I'm looking forward to seeing them.
That's it for today. I should really write longer on these three important films, but I've got painting to do. So, to sum up, rent the following, even if you've seen them before:
Dolores Claiborne (1995), Jaws (1975) and Grey Gardens (1975).
Oh, and throw in, "Safe"(1995) by Todd Haynes starring Julianne Moore. That is my other, all time favorite film. I'll most definitely talk about Safe on another day.